https://justmaker.github.io/tags/%E5%92%8C%E5%BC%A6/Recent content in 和弦 on Justmaker's KBHugo -- gohugo.iozh-twTue, 04 Mar 2025 00:00:00 +0000https://justmaker.github.io/post/piano/accompaniment-arrangement/Tue, 04 Mar 2025 00:00:00 +0000https://justmaker.github.io/post/piano/accompaniment-arrangement/<h2 id="萬能伴奏">萬能伴奏 </h2><ul> <li><strong>五聲音階</strong>：宮、商、角、徵、羽</li> <li><strong>單小節伴奏分解走向</strong>：低→中→高→中（根音→五度＋一個比五度高的五聲音階音）</li> <li>延伸六/八個音的分解模式</li> </ul> <h2 id="配和弦規則">配和弦規則 </h2><ol> <li>盡量有變化</li> <li>G 不接 F</li> <li>相鄰和弦盡量有共同音（F→G 除外）</li> </ol> <h2 id="常見和弦進行">常見和弦進行 </h2><table> <thead> <tr> <th>名稱</th> <th>進行</th> </tr> </thead> <tbody> <tr> <td>經典流行</td> <td>1 - 6 - 2 - 5</td> </tr> <tr> <td>卡農進行</td> <td>4 - 3 - 2 - 5 - 1</td> </tr> <tr> <td>萬能進行</td> <td>1 - 5 - 6 - 3 - 4 - 1 - 2 - 5</td> </tr> <tr> <td>抒情常用</td> <td>1 - 6 - 4 - 5</td> </tr> </tbody> </table> <h2 id="加花技巧">加花技巧 </h2><p>基礎和弦 → 加花變化：</p> <table> <thead> <tr> <th>原型</th> <th>加花方式</th> </tr> </thead> <tbody> <tr> <td>1-3-5</td> <td>→ 6-1-3</td> </tr> <tr> <td>1</td> <td>→ 1-6（下行經過音）</td> </tr> <tr> <td>1</td> <td>→ 1-7-6（下行）</td> </tr> <tr> <td>1</td> <td>→ 4-5-6（上行）</td> </tr> </tbody> </table> <p>加花可以是 1~4 個<strong>過渡音</strong>，上行或下行都可以。</p> <h2 id="分解和弦">分解和弦 </h2><h3 id="基礎分解">基礎分解 </h3><ol> <li>根-五-根-五</li> <li>根-五-根-三-五</li> </ol> <h3 id="左分解右柱式">左分解右柱式 </h3><ul> <li>左手：根-五-根（五）</li> <li>右手：柱式一下</li> </ul> <h3 id="右手半分解">右手半分解 </h3><ul> <li>右手：3-5, 1, 3-5, 1</li> <li>左手：根-五-根</li> </ul> <h2 id="節奏-rhythm--律動-groove">節奏 (Rhythm) &amp; 律動 (Groove) </h2><p>常用節奏型態：</p> <ol> <li><strong>Slow Rock</strong> — 抒情慢歌</li> <li><strong>Double Soul</strong> — 節奏感強的流行曲</li> </ol> <h2 id="dynamics-動態">Dynamics 動態 </h2><p>動態標記是音樂表現的靈魂，從 pp（極弱）到 ff（極強），控制每個音的力度變化。</p>https://justmaker.github.io/post/piano/music-theory/Mon, 03 Mar 2025 00:00:00 +0000https://justmaker.github.io/post/piano/music-theory/<h2 id="大小調">大小調 </h2><ul> <li><strong>全音</strong> (whole step) / <strong>半音</strong> (half step)</li> <li><strong>大調</strong>：1W 2W 3H 4W 5W 6W 7H 1</li> <li><strong>小調</strong>：Major 的三六七降低半音 → 1W 2H 3W 4W 5H 6W 7W 1</li> </ul> <h2 id="音程-interval">音程 (Interval) </h2><table> <thead> <tr> <th>半音數</th> <th>0</th> <th>1</th> <th>2</th> <th>3</th> <th>4</th> <th>5</th> <th>6</th> <th>7</th> <th>8</th> <th>9</th> <th>10</th> <th>11</th> <th>12</th> <th>13</th> <th>14</th> </tr> </thead> <tbody> <tr> <td>音程</td> <td>P1</td> <td>m2</td> <td>M2</td> <td>m3</td> <td>M3</td> <td>P4</td> <td>d5/a4</td> <td>P5</td> <td>m6</td> <td>M6</td> <td>m7</td> <td>M7</td> <td>P8</td> <td>m9</td> <td>M9</td> </tr> </tbody> </table> <h3 id="perfect-完全音程">Perfect 完全音程 </h3><p><strong>完全協和音程 (Perfect consonances)</strong>：</p> <ul> <li>P1, P4 (5H), P5 (7H), P8 (12H)</li> </ul> <h3 id="major-大音程">Major 大音程 </h3><p><strong>不完全協和音程 (Imperfect consonances)</strong>：</p> <ul> <li>M3 (4H), M6 (9H)</li> </ul> <p><strong>其他</strong>：M2 (2H), M7 (11H), M9 (14H)</p> <h3 id="minor-小音程">Minor 小音程 </h3><p><strong>不完全協和音程</strong>：</p> <ul> <li>m3 (3H), m6 (8H)</li> </ul> <p><strong>不協和音程 (Dissonant)</strong>：</p> <ul> <li>m2 (1H), m7 (10H), m9 (13H)</li> </ul> <h2 id="和弦形狀-chord-shapes">和弦形狀 (Chord Shapes) </h2><p>以鍵盤黑白鍵位置來分類，快速記憶和弦指型：</p> <table> <thead> <tr> <th>類型</th> <th>和弦</th> <th>鍵盤形狀</th> <th>記法</th> </tr> </thead> <tbody> <tr> <td>All White Keys</td> <td>C, F, G</td> <td>白白白</td> <td>124 or 135 最好用</td> </tr> <tr> <td>WBW</td> <td>D, E, A</td> <td>白黑白</td> <td>—</td> </tr> <tr> <td>BWB</td> <td>D♭, E♭, A♭</td> <td>黑白黑</td> <td>—</td> </tr> <tr> <td>特殊</td> <td>G♭</td> <td>黑黑黑 (BBB)</td> <td>—</td> </tr> <tr> <td>特殊</td> <td>B♭</td> <td>白黑黑 (WBB)</td> <td>—</td> </tr> <tr> <td>特殊</td> <td>B</td> <td>黑白白 (BWW)</td> <td>—</td> </tr> </tbody> </table> <h2 id="c-大調和弦">C 大調和弦 </h2><h3 id="和弦角色">和弦角色 </h3><table> <thead> <tr> <th>角色</th> <th>和弦</th> <th>功能</th> </tr> </thead> <tbody> <tr> <td><strong>主和弦</strong></td> <td>C</td> <td>開始、結束、穩定</td> </tr> <tr> <td><strong>屬和弦</strong></td> <td>G, G7</td> <td>一半、尚未結束、不穩定</td> </tr> <tr> <td><strong>下屬和弦</strong></td> <td>Dm, F</td> <td>中介性質</td> </tr> </tbody> </table> <h3 id="大三和弦-vs-小三和弦">大三和弦 vs 小三和弦 </h3><ul> <li><strong>大三</strong>：1 → (4半音) → 3 → (3半音) → 5</li> <li><strong>小三</strong>：1 → (3半音) → ♭3 → (4半音) → 5</li> </ul> <p>順階和弦：<strong>1 2m 3m 4 5 6m</strong></p> <ul> <li>大 → 小：中間音降半音</li> <li>小 → 大：中間音升半音</li> </ul> <h2 id="和弦轉位">和弦轉位 </h2><p>以 1645 為例：</p> <table> <thead> <tr> <th>原位</th> <th>轉位</th> </tr> </thead> <tbody> <tr> <td>C</td> <td>C</td> </tr> <tr> <td>Am</td> <td>Am/C</td> </tr> <tr> <td>F</td> <td>F/C</td> </tr> <tr> <td>G</td> <td>G/B</td> </tr> </tbody> </table> <p>轉位的目的是讓低音線條更平滑，減少跳躍。</p> <h2 id="中英對照表">中英對照表 </h2><table> <thead> <tr> <th>中文</th> <th>英文</th> </tr> </thead> <tbody> <tr> <td>全音</td> <td>whole step</td> </tr> <tr> <td>半音</td> <td>half step</td> </tr> <tr> <td>降</td> <td>flat</td> </tr> <tr> <td>升</td> <td>sharp</td> </tr> <tr> <td>音階</td> <td>scale</td> </tr> <tr> <td>音程</td> <td>interval</td> </tr> <tr> <td>唱名</td> <td>solfege</td> </tr> </tbody> </table>